Category: Film/Movie

  • Film Analysis 1 (The Fugitive or Minority Report)

    1. First, explain the difference between content and form in film. Then, select a scene and explain how the form reinforces the content. In this explanation discuss the idea of cinematic language and how it is utilized in the scene. For example, does the scene manipulate time and space? Does it use parallel editing? Give examples from a specific scene and be sure to support your claim with a detailed analysis.

    2. Explain the difference between explicit meaning and implicit meaning in film. What makes them different? Then, briefly summarize what the film is about explicitly (3-4 sentences), and in more detail, explain what the film is about implicitly. What do you think is the underlying meaning of the film? Make sure to support your claim what the films about implicitly with evidence from the film.

    3. What is the films genre? Could it be considered more than one genre? How do you know? What were some of the conventions used? Is there anything innovative the film did in relation to its genre(s)? Meaning, did it do anything new or unique that you havent seen in other films of the same genre(s)?

  • Creative Film Outline

    To begin, choose an event or an issue or a moment in time that has affected you or intrigued you at some point throughout your life. Firstly, you need to discuss your specific issue or event or moment in detail, and why you feel that it is important to bring it to a wider audience. Then write an outline for the movie. What is the story you are trying to tell? How will you weave in your issue/event/moment in time? Who are the major characters, what situations or challenges are they facing? Are they successful in dealing with these? What is the film going to look like? Is it bright and happy or dark and a little more stylistic? Is it a drama, a comedy, a horror film….your choice! How will your film be distributed and exhibited (Theatrically, Streaming Services, Internet)?

  • Assessment

    Your assignment is to write an evaluation of the family in the assigned film , critically analyzing the way in which the family surrounding the person with SUDs interacts, communicates and demonstrates some of the characteristics you have studied about family nonsummativity, circular causality, communication and homeostasis. You should write an accompanying narrative in which you discuss whatever family theory you think applies to this family (your opinion) but you must use some of the readings to support your theory. At the end of the evaluation part, you will insert a small treatment plan for this family, outline provided. Your paper should be three – five pages long (at the least), double-spaced typed, with citations and references of those sources you have used to support your views on this movie “family.” .

  • A Better Life

    720 word essay of the film A Better Life Paragraphs: Students must submit a rough draft of the first three paragraphs of the film review: Intro Body paragraph 1 Body paragraph 2 Title Page: Must include a title page with proper formatting based on your chosen citation style: MLA, APA, or Chicago. Citations: Must include citations with proper formatting based on your chosen citation style: MLA, APA, or Chicago. Reference/Works Cited/Bibliography: Must include a Reference/Works Cited/Bibliography page based on your chosen citation style: MLA, APA, or Chicago.
  • Respond and Reflection 4: Train to Busan

    Note: if you opt to copy/paste the questions below into a document and answer in paragraph form below each question, that’s fine. Just keep in mind that the pasted questions do not count toward the 300-word minimum.

    RR4: Respond to questions below:

    1. [Consider Context]: Context plays a really important role in any kind of rhetorical address (film or otherwise); all texts emerge from/within a given context. To help you think about the role of context in rhetorical analysis, consider how consuming Train to Busan in a ‘post-Covid’ context might affect an audience. Obviously, this is a ‘zombie film,’ but it’s about contagion. How might films about ‘contagion’ be different for, say, an audience in 2016 (when this film came out) versus 2026 (right now)? Why does context matter?
    2. [Consider Cultural Values]: You don’t have to take my Intercultural Communication course or Human Communication course to know that different cultures have different values. For instance, in general, the US is considered to be a more ‘individualistic’ culture that places more emphasis and value on individualism that the ‘collective good.’ Other cultures, say South Korea broadly, tend to be more collectivist cultures that value the ‘greater good’ over, say, individualism. How does Train to Busan wrestle with, or frame, these larger values — individualism vs. collectivism — throughout the film? Zero in, please, on the relationship between the father and daughter, particularly their conversations, to help you. Remember: This isn’t about what you think is ‘better’; it’s about critically analyzing the film to ask: What does it seem to be teaching its audiences?
    3. [Reflect]: What has been your most and least favorite assigned watch so far (Bugonia, Leave the World Behind(2023) & this current movie); why? (This is a free space, per usual. If you ever have requests for particular types of questions here, you can always email me or message me on Teams!)

    —- Please note: The professor does not allow the use of any AI generation and will use multiple tools to ensure no AI usage. You will need to provide screenshots of TurnItIn & Quillbot to confirm no AI Usage. Attached is the rubric to follow as well.

  • Discussion – Persepolis & A Concerto is a Conversation

    Learning Goal:

    This assignment asks you to judge the stylistic, narrative, and thematic concerns in major works of film art. In this discussion you will demonstrate an understanding of film style and how it interacts with the documentary and animation approach. You’re applying what you’ve learned about these two traditions, and how the stylistic choices in Persepolis and Man on Wire support their narrative forms.

    Watch this Oscar-nominated short documentary, A Concerto Is a Conversation dir. Kris Bowers, Ben Proudfoot – 2021

    HERE IS THE VIDEO/ SHORT DOCUMENTARY’S YOUTUBE LINK: https://youtu.be/LoEZR5miMvo

    Answer the following questions:

    1- For the film Persepolis: Persepolis was an award-winning graphic novel before author Marjane Satrapi adapted it for the screen. Describe Satrapi’s style (this includes the 4 elements of cinema; mise-en-scene, sound, editing and cinematography) and be specific about the look of her film. How does the stylistic form support the narrative form (the themes, characters, events, organizational structure)? (5 points)

    2-For the short documentary A Concerto is a Conversation:Identify two stylistic choices (this can be in mise-en-scene, cinematography, editing or sound) that stood out to you in this short documentary. (2 points) Identify at least one documentary mode from the 6 covered in this week’s lesson that were used in this short, be specific with your reasoning. (3 pts) = (total of 5 pts)

    DO NOT RETYPE THE QUESTION INTO YOUR RESPONSE.

  • View film Dangerous Minds (1995) and review video lec and wr…

    Respond to the prompts above to complete your movie review. Use at least TEN of the course concepts/vocabulary in your responses and CAPITALIZE and BOLD each of the terms when you use them. Make sure to refer to at least 5 (five) specific scenes and/or dialogue (bold them) in your responses.

    Examples from Blackboard Jungle

    The CLIMACTIC scene of the film is a CONFLICT between Artie West and Mr. Dadier occurring at the end. In this scene, the students must choose a side, either fight with West against Dadier or take Dadiers side. At first, most of the students are against Dadier, but eventually they come together to protect him against West. This is SYMBOLIC of a shift in allegiance as well as Dadiers success in earning their trust. Additionally, when Morales is being encouraged to stab Dadier, but instead breaks off the blade of the knife, it symbolizes a choice of peace over violence. This emphasis on unity is a major THEME of the film.

    Updated Generic Review Template/Outline

    Name of Film:

    Year released:

    Director:

    Primary cast (actors and roles):

    Genre (Comedy, Drama, Biopic, etc.):

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance:

    Protagonist(s) and brief character description:

    Antagonist(s) and brief character description:

    Detailed Plot summary

    Main conflict/Issue ):

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    Primary Themes/Messages(approximately 100 200 words):

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite

    CHECKLIST:

    1. Did you use at least TEN of the course concepts/vocabulary in your responses?
    2. Did you CAPITALIZE and BOLD them?
    3. Did you refer to at least 5 (five) specific scenes and/or dialogue and bold them in your responses?
    4. Did you use detail, elaboration, and proofread?

    FULL SAMPLE

    Name of Film: Dead Poets Society

    Year released: 1989

    Director: Peter Weir

    Primary cast (actors and roles):

    Robin Williams as John Keating; Norman Lloyd as Headmaster, Gale Nolan; Robert Sean Leonard as Neil Perry; Ethan Hawke as Todd Anderson; Josh Charles as Knox Overstreet; Gale Hansen as Charlie Dalton.

    Genre (Comedy, Drama, Biopic, etc.): Drama

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance: SET at an elite private boarding school in 1959. Students and teachers are all wealthy white males. That the film takes place just before the 1960s is SYMBOLIC and significant. It reflects changing social norms, from the more conservative conformist 1950s to the turbulent, more radical 1960s. While not explicitly stated, this coming change is part of the movies SUBTEXT.

    Protagonist(s) and brief character description: John Keating (inspirational, non-conformist English teacher) and Todd Anderson (shy student who begins to come out of his shell as a result of Keatings unique teaching style)

    Antagonist(s): Headmaster, Gale Nolan (Conservative, crotchety, headmaster who resists individuality and creativity)

    Detailed Plot summary

    The films PLOT spans a year at the prestigious, all-boys boarding school, The Welton Academy. A group of high school students is introduced to their new English teacher, John Keating. Mr. Keating informs them that he was a student at Welton.

    Initially, the students are incredulous and confused by Mr. Keatings unusual, highly theatrical, radical, and subversive PEDAGOGICAL methods. During their first class, Mr. Keating rejects the conformist values of their poetry textbook and its overly objective, mathematical approach to poetry appreciation. This is evidenced in the scene wherehe instructs his students to tear out the introductory chapter. This is a dramatic act of subversion. Keating also introduces them to the phrase carpe diem (seize the day), which becomes a motto for the class and a major THEMATIC element of the film. Mr. Keating believes in the value of changing ones perspective and looking at things differently. This is evidenced in the scene where he instructs the students to take turns standing on a desk. This allows them to see things differently.

    Essentially, Mr. Keating urges the students to live meaningful lives rather than mindlessly follow societal norms.

    Motivated by Keating’s teachings, a group of students revives the titular Dead Poets Society, a secretive club that gathers in a cave to read poetry, exchange ideas, and freely express themselves.

    Inspired by Keating and the club, the students begin to take more control over their lives. For example, Neil Perry discovers his love for acting and joins the school play against his fathers wishes. Todd Anderson, Neils roommate, is shy and nervous, but eventually finds confidence and his voice.

    When Neil’s harsh, overbearing father bans him from pursuing acting and demands that he focus on his studies and a future in medicine, tensions rise. Neil lies to Keating, telling him that his father approved of his pursuing drama. Thus, despite his fathers objections, Neil auditions for a role in a local production of Shakespeares A Midsummer Night’s Dream.

    When Neils father finds out, he forces Neil to quit drama, demanding that he focus solely on practical academic and professional pursuits. Dejected and hopeless, Neil takes his own life.

    Following the tragic event, the school administration blames Keating’s unusual teaching techniques. Consequently, Keating is fired after the students are compelled to sign statements accusing him of fomenting a rebellion among his students.

    At the end of the film, in a dramatic expression of support for their teacher, the students directly oppose the headmaster, climbing on the desks and reciting a quote from one of Keating’s favorite poets, Walt Whitman. This is evidence of how much Keating meant to them. So much that they were willing to risk getting in trouble to show their support.

    Main conflict/Issue ):

    The main conflict is between Keating, who represents individualism, creativity, and self-expression, and the older generation (e.g. Headmaster, Gale Nolan, and Neils father) who represent conservatism, practicality, and conformity.

    The viewer sees this conflict in action when the headmaster fires Keating, takes over his class, and forces the students to read the very textbook introduction that Keating had discarded. However, the students dramatic rejection of the headmaster and their public support for Keating demonstrate the enduring impact of Keatings lessons.

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    As mentioned briefly, the film offers multiple examples of pedagogy. In addition to asking engaging questions and following up questions, aka the SOCRATIC METHOD OF TEACHING, Keating engages in the following: The tearing out of textbook pages at the start of the film- this is Keatings rejection of the idea that poetry can be appreciated through a mathematical formula.

    Having students stand on desks to view their worlds in different ways and change their perspectives.

    Combining poetry and soccer by having students kick the ball while reciting inspirational quotes.

    Bringing students outside of the classroom to learn lessons in non-academic ways and using comedy to engage students.

    He also pushes his students, forcing them to recite poetry to help get over their shyness. He does this repeatedly with the painfully shy Todd Anderson, bringing him out of his shell.

    Keatings charisma is a breath of fresh air, adding color to students drab lives.

    Primary Themes/Messages(approximately 100 200 words):

    The films primary theme is the conflict between conformity and individualism. This manifests in multiple ways. The most dramatic ongoing example is Neils pursuit of acting despite his fathers objections. His fathers push for conformity and practicality conflicts with Neils personal desires to be self-expressive and artistic. That Neil pays the ultimate price is both sad and emotionally challenging. Interestingly, the viewer gets the sense that Neil would never have dreamt of disobeying his father had Keating not been his teacher. This begs the question: Is Keating, in part, responsible for Neils death?

    The theme is perhaps most evident in the CLIMAX of the film, as Keating gathers his personal belongings and leaves the classroom, Todd and several other students rise and stand on their desks. They honor and salute him by saying, “O Captain! My Captain.”

    The rebellious act demonstrates the lasting impact of Keating’s teachings on independent thought and self-expression on his students. It also serves as great drama.

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    The film reinforces the possibly problematic idea that it is the lone ultra-charismatic teacher who is the answer to educational challenges. While this is a nice idea, it is unrealistic and impractical. There are not enough super-talented and theatrically entertaining Robin Williams-type people in the world to become teachers. Additionally, like many of these movies, it makes reaching students look relatively easy. It also supports the idea that non-conformity and individual thinking are the keys to improving schools. In reality, most schools need more unity and teamwork rather than individual expression.

    As in many similar films, the administrators are portrayed as stubborn and resistant to change. Instead of being advocates for effective instruction and student growth, administrators are portrayed as barriers. This is important because it implies that meaningful education is hindered by school leadership. It promotes the idea that effective teaching requires disobeying regulations rather than cooperating, which distorts how actual schools operate.

    The film also conflicts with the proven reality that it takes a group of teachers and administrators working collectively and collaboratively to create a great school. By making the administration and other teachers the enemy, the concepts of unity and collaboration are devalued.

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    The most significant flaw of the film is the embarrassing and egregious relative absence of female characters and people of color. The characters depicted have so much wealth, power, and WHITE PRIVILEGE, yet they never address or acknowledge it. It also makes it difficult to take their problems seriously. Yes, the film takes place at an elite prep school in 1959, but that does not excuse these absences. First off, the use of that setting is a conscious choice, one made knowing that incorporating women and people of color might be difficult. Second, the one female character is a love interest, only there to support the male characters growth.

    As both CRITICAL FEMINIST THEORY and CRITICAL RACE THEORY would quickly point out, the absence of such significant portions of the population can serve to reinforce the marginalization and devaluing of these groups.

    Another flaw is that many characters are two-dimensional. Keating is all good and saintly, while the headmaster is all bad. These are not nuanced characters.

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Robin Williams performance is excellent. He has the charisma, charm, and likability necessary for the role, but he also has emotional depth. It is evident why the students would be inspired by him. Additionally, even the SUPPORTING CHARACTERS are good, though they are young actors, they effectively exude the angst and insecurity of adolescence while coming across as likable and endearing.

    This is particularly evident in the culminating scene, where Ethan Hawke stands on the desk and says, Oh Captain My Captain, you can see how difficult it is for him to do, yet he does it anyway. He seems on the verge of tears, which makes us, as the audience, feel for him.

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite movies)

    This movie is a four. If it were more diverse and inclusive, it could have been a five.

    Key Course Vocab and Concepts (Updated Spring 2026)

    EDU 220 School in Popular Film Dr. Erik E. Morales

    1. Antagonist
    2. Assimilation
    3. Biopic
    4. Casting
    5. Cinematography
    6. Climax (of a story)
    7. Color Blind Casting
    8. Conflict (within a story)
    9. Critical Feminists Theory
    10. Critical Race Theory
    11. Culturally relevant teaching
    12. Dramatic License
    13. Editing (film editing)
    14. Fiction vs. Non-Fiction
    15. Heteronormative
    16. Male privilege
    17. Metaphor
    18. Mise en scene
    19. Montage
    20. Musical Score
    21. Pedagogy
    22. Plot
    23. Protagonist
    24. Setting
    25. Socratic method of teaching
    26. Stereotyping
    27. Supporting characters
    28. Symbolism
    29. Text vs Subtext (in storytelling/film)
    30. Theme
    31. Toxic Masculinity
    32. Urban schools
    33. White privilege
    34. White Teacher Savior Films (WTSFs),
  • View film Dangerous Minds (1995) and review video lec and wr…

    Respond to the prompts above to complete your movie review. Use at least TEN of the course concepts/vocabulary in your responses and CAPITALIZE and BOLD each of the terms when you use them. Make sure to refer to at least 5 (five) specific scenes and/or dialogue (bold them) in your responses.

    Examples from Blackboard Jungle

    The CLIMACTIC scene of the film is a CONFLICT between Artie West and Mr. Dadier occurring at the end. In this scene, the students must choose a side, either fight with West against Dadier or take Dadiers side. At first, most of the students are against Dadier, but eventually they come together to protect him against West. This is SYMBOLIC of a shift in allegiance as well as Dadiers success in earning their trust. Additionally, when Morales is being encouraged to stab Dadier, but instead breaks off the blade of the knife, it symbolizes a choice of peace over violence. This emphasis on unity is a major THEME of the film.

    Updated Generic Review Template/Outline

    Name of Film:

    Year released:

    Director:

    Primary cast (actors and roles):

    Genre (Comedy, Drama, Biopic, etc.):

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance:

    Protagonist(s) and brief character description:

    Antagonist(s) and brief character description:

    Detailed Plot summary

    Main conflict/Issue ):

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    Primary Themes/Messages(approximately 100 200 words):

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite

    CHECKLIST:

    1. Did you use at least TEN of the course concepts/vocabulary in your responses?
    2. Did you CAPITALIZE and BOLD them?
    3. Did you refer to at least 5 (five) specific scenes and/or dialogue and bold them in your responses?
    4. Did you use detail, elaboration, and proofread?

    FULL SAMPLE

    Name of Film: Dead Poets Society

    Year released: 1989

    Director: Peter Weir

    Primary cast (actors and roles):

    Robin Williams as John Keating; Norman Lloyd as Headmaster, Gale Nolan; Robert Sean Leonard as Neil Perry; Ethan Hawke as Todd Anderson; Josh Charles as Knox Overstreet; Gale Hansen as Charlie Dalton.

    Genre (Comedy, Drama, Biopic, etc.): Drama

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance: SET at an elite private boarding school in 1959. Students and teachers are all wealthy white males. That the film takes place just before the 1960s is SYMBOLIC and significant. It reflects changing social norms, from the more conservative conformist 1950s to the turbulent, more radical 1960s. While not explicitly stated, this coming change is part of the movies SUBTEXT.

    Protagonist(s) and brief character description: John Keating (inspirational, non-conformist English teacher) and Todd Anderson (shy student who begins to come out of his shell as a result of Keatings unique teaching style)

    Antagonist(s): Headmaster, Gale Nolan (Conservative, crotchety, headmaster who resists individuality and creativity)

    Detailed Plot summary

    The films PLOT spans a year at the prestigious, all-boys boarding school, The Welton Academy. A group of high school students is introduced to their new English teacher, John Keating. Mr. Keating informs them that he was a student at Welton.

    Initially, the students are incredulous and confused by Mr. Keatings unusual, highly theatrical, radical, and subversive PEDAGOGICAL methods. During their first class, Mr. Keating rejects the conformist values of their poetry textbook and its overly objective, mathematical approach to poetry appreciation. This is evidenced in the scene wherehe instructs his students to tear out the introductory chapter. This is a dramatic act of subversion. Keating also introduces them to the phrase carpe diem (seize the day), which becomes a motto for the class and a major THEMATIC element of the film. Mr. Keating believes in the value of changing ones perspective and looking at things differently. This is evidenced in the scene where he instructs the students to take turns standing on a desk. This allows them to see things differently.

    Essentially, Mr. Keating urges the students to live meaningful lives rather than mindlessly follow societal norms.

    Motivated by Keating’s teachings, a group of students revives the titular Dead Poets Society, a secretive club that gathers in a cave to read poetry, exchange ideas, and freely express themselves.

    Inspired by Keating and the club, the students begin to take more control over their lives. For example, Neil Perry discovers his love for acting and joins the school play against his fathers wishes. Todd Anderson, Neils roommate, is shy and nervous, but eventually finds confidence and his voice.

    When Neil’s harsh, overbearing father bans him from pursuing acting and demands that he focus on his studies and a future in medicine, tensions rise. Neil lies to Keating, telling him that his father approved of his pursuing drama. Thus, despite his fathers objections, Neil auditions for a role in a local production of Shakespeares A Midsummer Night’s Dream.

    When Neils father finds out, he forces Neil to quit drama, demanding that he focus solely on practical academic and professional pursuits. Dejected and hopeless, Neil takes his own life.

    Following the tragic event, the school administration blames Keating’s unusual teaching techniques. Consequently, Keating is fired after the students are compelled to sign statements accusing him of fomenting a rebellion among his students.

    At the end of the film, in a dramatic expression of support for their teacher, the students directly oppose the headmaster, climbing on the desks and reciting a quote from one of Keating’s favorite poets, Walt Whitman. This is evidence of how much Keating meant to them. So much that they were willing to risk getting in trouble to show their support.

    Main conflict/Issue ):

    The main conflict is between Keating, who represents individualism, creativity, and self-expression, and the older generation (e.g. Headmaster, Gale Nolan, and Neils father) who represent conservatism, practicality, and conformity.

    The viewer sees this conflict in action when the headmaster fires Keating, takes over his class, and forces the students to read the very textbook introduction that Keating had discarded. However, the students dramatic rejection of the headmaster and their public support for Keating demonstrate the enduring impact of Keatings lessons.

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    As mentioned briefly, the film offers multiple examples of pedagogy. In addition to asking engaging questions and following up questions, aka the SOCRATIC METHOD OF TEACHING, Keating engages in the following: The tearing out of textbook pages at the start of the film- this is Keatings rejection of the idea that poetry can be appreciated through a mathematical formula.

    Having students stand on desks to view their worlds in different ways and change their perspectives.

    Combining poetry and soccer by having students kick the ball while reciting inspirational quotes.

    Bringing students outside of the classroom to learn lessons in non-academic ways and using comedy to engage students.

    He also pushes his students, forcing them to recite poetry to help get over their shyness. He does this repeatedly with the painfully shy Todd Anderson, bringing him out of his shell.

    Keatings charisma is a breath of fresh air, adding color to students drab lives.

    Primary Themes/Messages(approximately 100 200 words):

    The films primary theme is the conflict between conformity and individualism. This manifests in multiple ways. The most dramatic ongoing example is Neils pursuit of acting despite his fathers objections. His fathers push for conformity and practicality conflicts with Neils personal desires to be self-expressive and artistic. That Neil pays the ultimate price is both sad and emotionally challenging. Interestingly, the viewer gets the sense that Neil would never have dreamt of disobeying his father had Keating not been his teacher. This begs the question: Is Keating, in part, responsible for Neils death?

    The theme is perhaps most evident in the CLIMAX of the film, as Keating gathers his personal belongings and leaves the classroom, Todd and several other students rise and stand on their desks. They honor and salute him by saying, “O Captain! My Captain.”

    The rebellious act demonstrates the lasting impact of Keating’s teachings on independent thought and self-expression on his students. It also serves as great drama.

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    The film reinforces the possibly problematic idea that it is the lone ultra-charismatic teacher who is the answer to educational challenges. While this is a nice idea, it is unrealistic and impractical. There are not enough super-talented and theatrically entertaining Robin Williams-type people in the world to become teachers. Additionally, like many of these movies, it makes reaching students look relatively easy. It also supports the idea that non-conformity and individual thinking are the keys to improving schools. In reality, most schools need more unity and teamwork rather than individual expression.

    As in many similar films, the administrators are portrayed as stubborn and resistant to change. Instead of being advocates for effective instruction and student growth, administrators are portrayed as barriers. This is important because it implies that meaningful education is hindered by school leadership. It promotes the idea that effective teaching requires disobeying regulations rather than cooperating, which distorts how actual schools operate.

    The film also conflicts with the proven reality that it takes a group of teachers and administrators working collectively and collaboratively to create a great school. By making the administration and other teachers the enemy, the concepts of unity and collaboration are devalued.

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    The most significant flaw of the film is the embarrassing and egregious relative absence of female characters and people of color. The characters depicted have so much wealth, power, and WHITE PRIVILEGE, yet they never address or acknowledge it. It also makes it difficult to take their problems seriously. Yes, the film takes place at an elite prep school in 1959, but that does not excuse these absences. First off, the use of that setting is a conscious choice, one made knowing that incorporating women and people of color might be difficult. Second, the one female character is a love interest, only there to support the male characters growth.

    As both CRITICAL FEMINIST THEORY and CRITICAL RACE THEORY would quickly point out, the absence of such significant portions of the population can serve to reinforce the marginalization and devaluing of these groups.

    Another flaw is that many characters are two-dimensional. Keating is all good and saintly, while the headmaster is all bad. These are not nuanced characters.

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Robin Williams performance is excellent. He has the charisma, charm, and likability necessary for the role, but he also has emotional depth. It is evident why the students would be inspired by him. Additionally, even the SUPPORTING CHARACTERS are good, though they are young actors, they effectively exude the angst and insecurity of adolescence while coming across as likable and endearing.

    This is particularly evident in the culminating scene, where Ethan Hawke stands on the desk and says, Oh Captain My Captain, you can see how difficult it is for him to do, yet he does it anyway. He seems on the verge of tears, which makes us, as the audience, feel for him.

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite movies)

    This movie is a four. If it were more diverse and inclusive, it could have been a five.

    Key Course Vocab and Concepts (Updated Spring 2026)

    EDU 220 School in Popular Film Dr. Erik E. Morales

    1. Antagonist
    2. Assimilation
    3. Biopic
    4. Casting
    5. Cinematography
    6. Climax (of a story)
    7. Color Blind Casting
    8. Conflict (within a story)
    9. Critical Feminists Theory
    10. Critical Race Theory
    11. Culturally relevant teaching
    12. Dramatic License
    13. Editing (film editing)
    14. Fiction vs. Non-Fiction
    15. Heteronormative
    16. Male privilege
    17. Metaphor
    18. Mise en scene
    19. Montage
    20. Musical Score
    21. Pedagogy
    22. Plot
    23. Protagonist
    24. Setting
    25. Socratic method of teaching
    26. Stereotyping
    27. Supporting characters
    28. Symbolism
    29. Text vs Subtext (in storytelling/film)
    30. Theme
    31. Toxic Masculinity
    32. Urban schools
    33. White privilege
    34. White Teacher Savior Films (WTSFs),
  • View film Dangerous Minds (1995) and review video lec and wr…

    Respond to the prompts above to complete your movie review. Use at least TEN of the course concepts/vocabulary in your responses and CAPITALIZE and BOLD each of the terms when you use them. Make sure to refer to at least 5 (five) specific scenes and/or dialogue (bold them) in your responses.

    Examples from Blackboard Jungle

    The CLIMACTIC scene of the film is a CONFLICT between Artie West and Mr. Dadier occurring at the end. In this scene, the students must choose a side, either fight with West against Dadier or take Dadiers side. At first, most of the students are against Dadier, but eventually they come together to protect him against West. This is SYMBOLIC of a shift in allegiance as well as Dadiers success in earning their trust. Additionally, when Morales is being encouraged to stab Dadier, but instead breaks off the blade of the knife, it symbolizes a choice of peace over violence. This emphasis on unity is a major THEME of the film.

    Updated Generic Review Template/Outline

    Name of Film:

    Year released:

    Director:

    Primary cast (actors and roles):

    Genre (Comedy, Drama, Biopic, etc.):

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance:

    Protagonist(s) and brief character description:

    Antagonist(s) and brief character description:

    Detailed Plot summary

    Main conflict/Issue ):

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    Primary Themes/Messages(approximately 100 200 words):

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite

    CHECKLIST:

    1. Did you use at least TEN of the course concepts/vocabulary in your responses?
    2. Did you CAPITALIZE and BOLD them?
    3. Did you refer to at least 5 (five) specific scenes and/or dialogue and bold them in your responses?
    4. Did you use detail, elaboration, and proofread?

    FULL SAMPLE

    Name of Film: Dead Poets Society

    Year released: 1989

    Director: Peter Weir

    Primary cast (actors and roles):

    Robin Williams as John Keating; Norman Lloyd as Headmaster, Gale Nolan; Robert Sean Leonard as Neil Perry; Ethan Hawke as Todd Anderson; Josh Charles as Knox Overstreet; Gale Hansen as Charlie Dalton.

    Genre (Comedy, Drama, Biopic, etc.): Drama

    Setting (Location, era, urban/suburban/rural, etc.) and possible significance: SET at an elite private boarding school in 1959. Students and teachers are all wealthy white males. That the film takes place just before the 1960s is SYMBOLIC and significant. It reflects changing social norms, from the more conservative conformist 1950s to the turbulent, more radical 1960s. While not explicitly stated, this coming change is part of the movies SUBTEXT.

    Protagonist(s) and brief character description: John Keating (inspirational, non-conformist English teacher) and Todd Anderson (shy student who begins to come out of his shell as a result of Keatings unique teaching style)

    Antagonist(s): Headmaster, Gale Nolan (Conservative, crotchety, headmaster who resists individuality and creativity)

    Detailed Plot summary

    The films PLOT spans a year at the prestigious, all-boys boarding school, The Welton Academy. A group of high school students is introduced to their new English teacher, John Keating. Mr. Keating informs them that he was a student at Welton.

    Initially, the students are incredulous and confused by Mr. Keatings unusual, highly theatrical, radical, and subversive PEDAGOGICAL methods. During their first class, Mr. Keating rejects the conformist values of their poetry textbook and its overly objective, mathematical approach to poetry appreciation. This is evidenced in the scene wherehe instructs his students to tear out the introductory chapter. This is a dramatic act of subversion. Keating also introduces them to the phrase carpe diem (seize the day), which becomes a motto for the class and a major THEMATIC element of the film. Mr. Keating believes in the value of changing ones perspective and looking at things differently. This is evidenced in the scene where he instructs the students to take turns standing on a desk. This allows them to see things differently.

    Essentially, Mr. Keating urges the students to live meaningful lives rather than mindlessly follow societal norms.

    Motivated by Keating’s teachings, a group of students revives the titular Dead Poets Society, a secretive club that gathers in a cave to read poetry, exchange ideas, and freely express themselves.

    Inspired by Keating and the club, the students begin to take more control over their lives. For example, Neil Perry discovers his love for acting and joins the school play against his fathers wishes. Todd Anderson, Neils roommate, is shy and nervous, but eventually finds confidence and his voice.

    When Neil’s harsh, overbearing father bans him from pursuing acting and demands that he focus on his studies and a future in medicine, tensions rise. Neil lies to Keating, telling him that his father approved of his pursuing drama. Thus, despite his fathers objections, Neil auditions for a role in a local production of Shakespeares A Midsummer Night’s Dream.

    When Neils father finds out, he forces Neil to quit drama, demanding that he focus solely on practical academic and professional pursuits. Dejected and hopeless, Neil takes his own life.

    Following the tragic event, the school administration blames Keating’s unusual teaching techniques. Consequently, Keating is fired after the students are compelled to sign statements accusing him of fomenting a rebellion among his students.

    At the end of the film, in a dramatic expression of support for their teacher, the students directly oppose the headmaster, climbing on the desks and reciting a quote from one of Keating’s favorite poets, Walt Whitman. This is evidence of how much Keating meant to them. So much that they were willing to risk getting in trouble to show their support.

    Main conflict/Issue ):

    The main conflict is between Keating, who represents individualism, creativity, and self-expression, and the older generation (e.g. Headmaster, Gale Nolan, and Neils father) who represent conservatism, practicality, and conformity.

    The viewer sees this conflict in action when the headmaster fires Keating, takes over his class, and forces the students to read the very textbook introduction that Keating had discarded. However, the students dramatic rejection of the headmaster and their public support for Keating demonstrate the enduring impact of Keatings lessons.

    Examples of Pedagogy (teaching activities/styles/approaches, etc.) depicted (

    As mentioned briefly, the film offers multiple examples of pedagogy. In addition to asking engaging questions and following up questions, aka the SOCRATIC METHOD OF TEACHING, Keating engages in the following: The tearing out of textbook pages at the start of the film- this is Keatings rejection of the idea that poetry can be appreciated through a mathematical formula.

    Having students stand on desks to view their worlds in different ways and change their perspectives.

    Combining poetry and soccer by having students kick the ball while reciting inspirational quotes.

    Bringing students outside of the classroom to learn lessons in non-academic ways and using comedy to engage students.

    He also pushes his students, forcing them to recite poetry to help get over their shyness. He does this repeatedly with the painfully shy Todd Anderson, bringing him out of his shell.

    Keatings charisma is a breath of fresh air, adding color to students drab lives.

    Primary Themes/Messages(approximately 100 200 words):

    The films primary theme is the conflict between conformity and individualism. This manifests in multiple ways. The most dramatic ongoing example is Neils pursuit of acting despite his fathers objections. His fathers push for conformity and practicality conflicts with Neils personal desires to be self-expressive and artistic. That Neil pays the ultimate price is both sad and emotionally challenging. Interestingly, the viewer gets the sense that Neil would never have dreamt of disobeying his father had Keating not been his teacher. This begs the question: Is Keating, in part, responsible for Neils death?

    The theme is perhaps most evident in the CLIMAX of the film, as Keating gathers his personal belongings and leaves the classroom, Todd and several other students rise and stand on their desks. They honor and salute him by saying, “O Captain! My Captain.”

    The rebellious act demonstrates the lasting impact of Keating’s teachings on independent thought and self-expression on his students. It also serves as great drama.

    Impact on Education (How might the film affect how society perceives American schools, students, and teachers?) If you are at a loss, do some research to help give you some ideas…(approximately 100 200 words)

    The film reinforces the possibly problematic idea that it is the lone ultra-charismatic teacher who is the answer to educational challenges. While this is a nice idea, it is unrealistic and impractical. There are not enough super-talented and theatrically entertaining Robin Williams-type people in the world to become teachers. Additionally, like many of these movies, it makes reaching students look relatively easy. It also supports the idea that non-conformity and individual thinking are the keys to improving schools. In reality, most schools need more unity and teamwork rather than individual expression.

    As in many similar films, the administrators are portrayed as stubborn and resistant to change. Instead of being advocates for effective instruction and student growth, administrators are portrayed as barriers. This is important because it implies that meaningful education is hindered by school leadership. It promotes the idea that effective teaching requires disobeying regulations rather than cooperating, which distorts how actual schools operate.

    The film also conflicts with the proven reality that it takes a group of teachers and administrators working collectively and collaboratively to create a great school. By making the administration and other teachers the enemy, the concepts of unity and collaboration are devalued.

    At least one major flaw in the film: (AKA What didnt work. These can be problematic messages, unrealistic events, poor acting, etc.)(approximately 100 200 words):

    The most significant flaw of the film is the embarrassing and egregious relative absence of female characters and people of color. The characters depicted have so much wealth, power, and WHITE PRIVILEGE, yet they never address or acknowledge it. It also makes it difficult to take their problems seriously. Yes, the film takes place at an elite prep school in 1959, but that does not excuse these absences. First off, the use of that setting is a conscious choice, one made knowing that incorporating women and people of color might be difficult. Second, the one female character is a love interest, only there to support the male characters growth.

    As both CRITICAL FEMINIST THEORY and CRITICAL RACE THEORY would quickly point out, the absence of such significant portions of the population can serve to reinforce the marginalization and devaluing of these groups.

    Another flaw is that many characters are two-dimensional. Keating is all good and saintly, while the headmaster is all bad. These are not nuanced characters.

    At least one major positive/success in the film (AKA what worked well) (approximately 100 200 words)

    Robin Williams performance is excellent. He has the charisma, charm, and likability necessary for the role, but he also has emotional depth. It is evident why the students would be inspired by him. Additionally, even the SUPPORTING CHARACTERS are good, though they are young actors, they effectively exude the angst and insecurity of adolescence while coming across as likable and endearing.

    This is particularly evident in the culminating scene, where Ethan Hawke stands on the desk and says, Oh Captain My Captain, you can see how difficult it is for him to do, yet he does it anyway. He seems on the verge of tears, which makes us, as the audience, feel for him.

    Rate this movie on an overall five-star scale and provide a brief rationale for that rating.

    (For example: Id give the film 3 stars, it had some good parts but was way too long.)

    1 Star = Terrible (Couldnt pay me to sit through it again) 2 Stars = Just Okay (Might have it on in the background as I fold clothes) 3 Stars = Good (Would rewatch if nothing else good was on)4 Stars = Very Good (Would recommend to a friend) 5 Stars = Excellent (One of my favorite movies)

    This movie is a four. If it were more diverse and inclusive, it could have been a five.

    Key Course Vocab and Concepts (Updated Spring 2026)

    EDU 220 School in Popular Film Dr. Erik E. Morales

    1. Antagonist
    2. Assimilation
    3. Biopic
    4. Casting
    5. Cinematography
    6. Climax (of a story)
    7. Color Blind Casting
    8. Conflict (within a story)
    9. Critical Feminists Theory
    10. Critical Race Theory
    11. Culturally relevant teaching
    12. Dramatic License
    13. Editing (film editing)
    14. Fiction vs. Non-Fiction
    15. Heteronormative
    16. Male privilege
    17. Metaphor
    18. Mise en scene
    19. Montage
    20. Musical Score
    21. Pedagogy
    22. Plot
    23. Protagonist
    24. Setting
    25. Socratic method of teaching
    26. Stereotyping
    27. Supporting characters
    28. Symbolism
    29. Text vs Subtext (in storytelling/film)
    30. Theme
    31. Toxic Masculinity
    32. Urban schools
    33. White privilege
    34. White Teacher Savior Films (WTSFs),

    Attached Files (PDF/DOCX): Lalor article critical thinking questions Updated.docx, Lalor article on Danerous Minds.docx

    Note: Content extraction from these files is restricted, please review them manually.

  • Critical analysis of Japanese horror films

    watching Ringu (1998) Ju-On: The Grudge (2002) Audition (1999) Battle Royale (2000) select one film for a critical analysis. Your review should examine its themes, aesthetics, and cultural and/or historical context(s). Also, discuss how horror functions in different settings and its impact on audiences across cultures. Finally, include a personal reflection on how the film affected you. Instructions: Length: A minimum of 3 pages, double-spaced, using a 12-point font. Summary (1 paragraph or up to half a page): Provide a concise summary of the films plot, avoiding excessive detail. Critical Analysis: Address the following elements in your review: Cultural and Social Representation: Discuss how the film portrays aspects of Japanese culture, including traditions, historical influences, and social issues. Consider how the film reflects cultural phenomena or social critique explored in class. Themes and Motifs: Identify key themes and explain their significance. Visual and Cinematic Style: Analyze the films artistic and technical elements, including its use of sound, lighting, color, cinematography, direction, editing, and special effects. How do these techniques enhance the films horror elements and overall impact? Connections to Course Materials: Incorporate references to course readings and discussions to support your analysis. Include at least 2 quotes or citations from the assigned readings to illustrate how they are related to or reflected in the film. Comparison of Japanese and Western Horror: If applicable, compare the film to Western remakes or the other horror films, highlighting differences in themes, storytelling, or cinematography. Personal Perspective: Reflect on how the film impacted you. Would you recommend it? Would you change the ending? Why or why not? References: Provide a list of sources cited in your film review.