Category: Literature

  • short writing assigmnemt

    What do you plan to write your Individual Paper on? In at least 150 words, tell me what topic you are addressing and what two or three literary works you will use to support this topic. What will you say about the topic; in other words, what is your projected thesis? Include commentary on how this topic relates to your chosen profession and/or your major, in other words the source of your interest in the topic.

    Note: You do not have to include the secondary (non-literary) sources here, but you should be conducting research on that by this point.

    your not writing the paper right now only this ^^^. i choose Story: Sonnys Blues , first payment , and People Like that are the Only People

    Here: Canonical Babbling in Peed Oink

    ENG 203 Literature and Medicine

    Individual Paper Assignment

    750 words minimum; not more than 1500 words

    between 4 and 8 sources (primary and secondary)

    APA style documentation

    This is an assignment that you will work on independently, not as part of a team. Leading

    up to submission, you will present (1) a proposal to me for approval and (2) post about

    your topic in the discussion forum, to share with classmates.

    Directions for the Individual Paper Assignment

    This should be a paper that sheds light on the connection between a medical issue and

    two or three works of literature. (I mean short stories, plays, or poems.) The idea is to

    write about a current medical issue from the list you’ve been provided by demonstrating

    how that medical issue has been depicted in two or three works of literature, and what

    importance you draw from that depiction.

    These works of literature can be anything contained in our assigned course readings or

    anything in On Doctoring, but at least one should be something I recommend on the list of

    topics. NOTE: Your paper will be a better paper if you choose a combination of short story

    and poem; in other words, choose a story and two or three poems, or a poem and two

    stories.

    In addition to the two or three works of literature, your paper should also be supported by

    two or three non-literary (i.e., medical) sources. These sources should contain information

    that helps you clarify the medical issue you are writing about.

    A suggested organization of your paper would look like this:

    I. Introduction to the medical issue and a thesis that clarifies your “take” on how it is

    depicted in two or three works.

    II. Explanation of this medical issue that informs the reader about it enough to follow your

    ideas about its depiction in the literature. (In other words, don’t spend pages and pages

    writing about a disease or condition; devote two or three paragraphs to the issue.) In this

    section, you should draw upon any sources of information about the disease (or condition).

    III. Demonstration of how this medical issue is treated in one work. This section would

    contain at least two quotations from that work that help you show how the medical issue is

    depicted.

    IV. Demonstration of how this medical issue is treated in a second work. This section would

    contain at least two quotations from that work that help you show how the medical issue is

    depicted.

    V. Demonstration of how this medical issue is treated in a third work (if you’re doing

    three). This section would contain at least two quotations from that work that help you

    show how the medical issue is depicted.

    VI. A conclusion that restates your thesis in fresh language by saying something about the

    significance of these literary works’ power to shed light on the medical issue.

    Note

    Your paper will be deemed exceptionally good if you are able to demonstrate the

    connectedness of your ideas through (1) meaningful transitions between

    sections/paragraphs, and (2) smart, intelligent organization of the body.

    What do you plan to write your Individual Paper on? In at least 150 words, tell me what topic you are addressing and what two or three literary works you will use to support this topic. What will you say about the topic; in other words, what is your projected thesis? Include commentary on how this topic relates to your chosen profession and/or your major, in other words the source of your interest in the topic.

    Note: You do not have to include the secondary (non-literary) sources here, but you should be conducting research on that by this point.

    Attached Files (PDF/DOCX): _People Like That_ (Moore).pdf, sonnysblues.pdf, Mukand First Payment.docx

    Note: Content extraction from these files is restricted, please review them manually.

  • Weekly Novel Journals

    Novel Journey : Each week, you will write a journal entry of at least 200 words over your weekly novel progress of Anthem.

    This journal is private and can only be viewed by the Instructor.

    You should use this journal to brainstorm novel events/activities, keep track of literary elements/story, etc.

    In each weekly entry, please notate the pages or chapters to which you are referring.

    You can only make a 0 or a 100 on this weekly journal.

    A 100 can be achieved by writing a minimum of 200 words on your current novel progress.

  • Passion for helping people and humanities through creative w…

    Why are you passionate about helping people? What makes the humanities exciting for you? In this discussion, you will reflect on a creative work that excites you. Think about something you’re a fan of, such as your favorite book, comic book series, graphic novel, TV show, or movie. What makes this creative work exciting for you? Youll also think about where you can meet with other fans to discuss your creative works. This meeting can include places like social media, such as TikTok, Instagram, Reddit, or Discord, or in-person eventsbook clubs, library-sponsored movie clubs, book or film festivals, watch or viewing parties, midnight releases, conventions, or cosplay events. Discussing the humanities means investigating opinions and ideas different from your own. Remember to remain thoughtful and respectful toward your peers and instructor in your initial post as well as in your response discussion posts. Create one initial post and respond to at least two of your classmates. For your initial post, address the following: How do the creative works that you chose relate to your personal interests? Are you part of a fandom for this interest? Include details and examples of why or why not. How do the creative works relate to the representation of your identity?
  • Mother tongue

    Mother Tongue

    I am not a scholar of English or literature. l cannot give you much more than personal opinions on the English language and its variations in this country or others.

    I am a writer. And by that definition, l am someone who has always loved language. I am fascinated by language in daily life. I spend a great deal of my time thinking about the power of language-the way it can evoke an emotion, a visual image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all all the Englishes I grew up with.

    Recently, I was made keenly aware of the different Englishes I do use. I was giving a talk to a large group of people, the same talk I had already given to half a dozen other groups. The nature of the talk was about my writing, my life, and my book The Joy Luck Club. The talk was going along well enough, until I remembered one major difference that made the whole talk sound wrong. My mother was in the room. And it was perhaps the first time she had heard me give a lengthy speech, using the kind of English I have never used with her. I was saying things like The intersection of memory upon imagination and There is an aspect of my fiction that relates to thus-and- thus-a speech filled with carefully wrought grammatical phrases, burdened, it suddenly seemed to me, with nominalized forms, past perfect tenses, conditional phrases, all the forms of standard English that I had learned in school and through books, the forms of English I did not use at home with my mother.

    Just last week, I was walking down the street with my mother, and I again found myself conscious of the English I was using, the English I do use with her. We were talking about the price of new and used furniture and I heard myself saying this: Not waste money that way. My husband was with us as well, and he didnt notice any switch in my English. And then I realized why. Its because over the twenty years weve been together Ive often used that same kind of English with him, and sometimes he even uses it with me. It

    has be- come our language of intimacy, a different sort of English that relates to family talk, the language I grew up with.

    So youll have some idea of what this family talk I heard sounds like, Ill quote what my mother said during a recent conversation which I videotaped and then transcribed. During this conversation, my mother was talking about a political gangster in Shanghai who had the same last name as her familys, Du, and how the gangster in his early years wanted to be adopted by her family, which was rich by comparison. Later, the gangster became more powerful, far richer than my mothers family, and one day showed up at my mothers wed- ding to pay his respects. Heres what she said in part: Du Yusong having business like fruit stand. Like off the street kind. He is Du like Du Zong-but not Tsung-ming Island people. The local people call putong, the river east side, he belong to that side local people. That man want to ask Du Zong father take him in like become own family. Du Zong father wasnt look down on him, but didnt take seriously, untilthat man big like be- come a mafia. Now important person, very hard to inviting him. Chinese way, came only to show respect, dont stay for dinner. Respect for making big celebration, he shows up. Mean gives lots of respect. Chinese custom. Chinese social life that way. If too important wont have to stay too long. He come to my wedding. I didnt see, I heard it. I gone to boys side, they have YMCA dinner. Chinese age I was nineteen.

    You should know that my mothers expressive command of English belies how much she actually understands. She reads the Forbes report, listens to Wall Street Week, converses daily with her stockbroker, reads all of Shirley MacLaines books with ease-all kinds of things I cant begin to understand. Yet some of my friends tell me they understand 50 percent of what my mother

    says. Some say they understand 80 to 90 percent. Some say they understand none of it, as if she were speaking pure Chinese. But to me, my mothers English is perfectly clear, perfectly natural. Its my mother tongue. Her language, as I hear it, is vivid, direct, full of observation and imagery. That was the language that helped shape the way I saw things, expressed things, made sense of the world.

    Lately, Ive been giving more thought to the kind of English my mother speaks. Like others, I have described it to people as broken or fractured English. But I wince when I say that. It has always bothered me that I can think of no way to describe it other than broken, as if it were damaged and needed to be fixed, as if it lacked a certain wholeness and soundness. Ive heard other terms used, limited English, for example. But they seem just as bad, as if everything is limited, including peoples perceptions of the limited English speaker.

    I know this for a fact, because when I was growing up, my mothers limited English limited my perception of her. I was ashamed of her English. I believed that her English reflected the quality of what she had to say. That is, be- cause she expressed them imperfectly her thoughts were imperfect. And I had plenty of empirical evidence to support me: the fact that people in department

    stores, at banks, and at restaurants did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.

    My mother has long realized the limitations of her English as well. When I was fifteen, she used to have me call people on the phone to pretend I was she.In this guise, I was forced to ask for information or even to complain and yell at people who had been rude to her. One time it was a call to her stockbroker in New York. She had cashed out her small portfolio and it just so happened we were going to go to New York the next week, our very first trip outside California. I had to get on the phone and say in an adolescent voice that was not very convincing, This is Mrs. Tan.

    And my mother was standing in the back whispering loudly, Why he dont send me check, already two weeks late. So mad he lie to me, losing me money.

    And then I said in perfect English, Yes, Im getting rather concerned. You had agreed to send the check two weeks ago, but it hasnt arrived.

    Then she began to talk more loudly. What he want, I come to New York tell him front of his boss, you cheating me? And I was trying to calm her down, make her be quiet, while telling the stockbroker, I cant tolerate any more excuses. If I dont receive the check immediately, I am going to have to speak to your manager when Im in New York next week. And sure enough, the following week there we were in front of this astonished stockbroker, and I was sitting there red-faced and quiet, and my mother, the real Mrs. Tan, was shouting at his boss in her impeccable broken English.

    We used a similar routine just five days ago, for a situation that was far less humorous. My mother had gone to the hospital for an appointment, to find out about a benign brain tumor a CAT scan had revealed a month ago. She said she had spoken very good English, her best English, no mistakes. Still, she said, the hospital did not apologize when they said they had lost the CAT scan and she had come for nothing. She said they did not seem to have any sympathy when she told them she was anxious to know the exact diagnosis, since her husband and son had both died of brain tumors. She said they would not give her any more information until the next time and she would have to make an- other appointment for that. So she said she would not leave until the doctor called her daughter. She wouldnt budge. And when the doctor finally called her daughter, me, who spoke in perfect English-lo and behold-we had assurances the CAT scan would be found, promises that a conference call on Monday would be held, and apologies for any suffering my mother had gone through for a most regrettable mistake.

    I think my mothers English almost had an effect on limiting my possibilities ties in life as well. Sociologists and linguists probably will tell you that a per- sons developing language skills are more influenced by peers. But I do think that the language spoken in the family, especially in immigrant families which

    are more insular, plays a large role in shaping the language of the child. And

    I believe that it affected my results on achievement tests, IQ tests, and the SAT. While my English skills were never judged as poor, compared to math, English could not be considered my strong suit. In grade school I did moderately well, getting perhaps Bs, sometimes B-pluses, in English and scoring perhaps in the sixtieth or seventieth percentile on achievement tests. But those scores were not good enough to override the opinion that my true abilities lay in math and science, because in those areas I achieved As and scored in the ninetieth percentile or higher.

    This was understandable. Math is precise; there is only one correct answer. Whereas, for me at least, the answers on English tests were always a judgment call, a matter of opinion and personal experience. Those tests were constructed around items like fill-in-the-blank sentence completion,such as Even though Tom was, Mary thought he was And the correct answer always seemed to be the most bland combinations of thoughts, for example, Even though Tom was shy, Mary thought he was charming, with the grammatical structure even though limiting the correct answer to some sort of semantic opposites, so you wouldnt get answers like Eventhough Tom was foolish. Mary thought he was ridiculous. Well, according to my mother, there were very few limitations as to what Tom could have been and what Mary might have thought of him. So I never did well on tests like that.

    The same was true with word analogies, pairs of words in which you were supposed to find some sort of logical, semantic relationship-for example, Sunset is to nightfall as is to And here you would be presented with a list of four possible pairs, one of which showed the same kind of relationship: red is to stoplight, bus is to arrival, chills is to fever, yawn is to boring. Well, I could never think that way. I knew what the tests were asking, but I could not block out of my mind the images already created by the first pair, sunset is to nightfall and I would see a burst of colors against a darkening sky, the moon rising, the lowering of a curtain of stars. And all the other pairs of words red, bus, stoplight, boring just threw up a mass of confusing images, making it impossible for me to sort out something as logical as saying: A sunset precedes nightfall is the same as a chill precedes a fever. The only way I would have gotten that answer

    right would have been to imagine an associative situation, for example, my being disobedient and staying out past sunset, catching a chill at night, which turns into feverish pneumonia as punishment, which indeed did happen to me.

    I have been thinking about all this lately, about my mothers English, about achievement tests. Because lately Ive been asked, as a writer, why there are not more Asian Americans represented in American literature. Why are there few Asian Americans enrolled in creative writing programs? Why do so many Chinese students go into engineering? Well, these are broadsociological questions I cant begin to answer. But I have noticed in surveys in fact, just last week-that Asian students, as a whole, always do significantly better on math achievement tests than in English. And this makes me think that there are other Asian American students whoseEnglish spoken in the home might also be described as broken or limited. And perhaps they also have teachers who are steering them away from writ- ing and into math and science, which is what happened to me.

    Fortunately, I happen to be rebellious in nature and enjoy the challenge of disproving assumptions made about me. I became an English major my first year in college, after being enrolled as premed. I started writing nonfiction as a freelancer the week after I was told by my former .boss that writing was my worst skill and I should hone my talents toward account management.

    But it wasnt until 1985 that I finally began to write fiction. And at first I wrote using what I thought to be wittily crafted sentences, sentences that would finally prove I had mastery over the English language. Heres an example from the first draft of a story that later made its way into The Joy Luck Club, but without this line: That was my mental quandary in its nascent state. A terrible line, which I can barely pronounce.

    Fortunately, for reasons I wont get into today, I later decided I should envision a reader for the stories I would write. And the reader I decided

    upon was my mother, because these were stories about mothers. So with this reader in mind-and in fact she did read my early drafts-I began to write stories using all the Englishes I grew up with: the English I spoke to my mother, which for lack of a better term might be described as simple; the English she used with me, which for lack of a better term might be described as broken; my translation of her Chinese, which could certainly be described as watered down; and what I imagined to be her translation of her Chinese if she could speak in perfect English, her internal language, and for that I sought to preserve the essence, but neither an English nor a Chinese structure. I wanted to capture what language ability tests can never reveal: her intent, her passion, her imagery, the rhythms.of her speech and the nature of her thoughts.

    Apart from what any critic had to say about my writing, I knew I had succeeded where it counted when my mother finished reading my book and gave me her verdict: So easy to read.

    1. What is the relationship between the mother and English?
    2. What role does language play in the relationship between the mother and daughter?
    3. What do you think of the mother’s last line?
    4. What did you think of this essay in general?
  • Poetry

    Literature and Composition poetry and prewriting test due on 02/05/2026.

    Attached Files (PDF/DOCX): Sonnet 18_Shakespeare(1).pdf, Sonnet 73_Shakespeare.pdf, Sonnet 18_Shakespeare(1).pdf, Sonnet 73_Shakespeare.pdf, Poetry Essay Directions(1).pdf

    Note: Content extraction from these files is restricted, please review them manually.

  • The Case for (or against) Literature

    Essay 1, The Case for (or against) Literature: This essay asks you to take a position on the first unit question: Does literature matter? You will build an argument using at least two course readings (or other related), and you will define what matter means (emotionally, culturally, historically, ethically, politically, etc.). Requirements: 9001100 words, MLA citations.

    My argument is that Literature does matter because it preserves cultural and historical memory. Literature documents lived experiences often excluded from history. Stories, poems, and essays preserve emotions, language, and community memory that might otherwise be erased. To help argue this claim I will use a piece of writing called Writing with Scissors by Ellen Gruber Garvey and The Holocaust in American Life by Peter Novick.

  • The Case for (or against) Literature

    Essay 1, The Case for (or against) Literature: This essay asks you to take a position on the first unit question: Does literature matter? You will build an argument using at least two course readings (or other related), and you will define what matter means (emotionally, culturally, historically, ethically, politically, etc.). Requirements: 9001100 words, MLA citations.

    My argument is that Literature does matter because it preserves cultural and historical memory. Literature documents lived experiences often excluded from history. Stories, poems, and essays preserve emotions, language, and community memory that might otherwise be erased. To help argue this claim I will use a piece of writing called Writing with Scissors by Ellen Gruber Garvey and The Holocaust in American Life by Peter Novick.

  • LIT1000 essay

    Directions: Compare/Contrast any two of the following stories in terms of a significant theme. Your essay

    must be well developed and include a well-developed introductory paragraph, clear thesis, several supporting

    paragraphs, and a well-developed concluding paragraph. Avoid generalities and vague references. Include

    plenty of analysis/commentary in the body paragraphs. Do not simply offer a summary of the two works.

    Incorporating direct quotes is strongly recommended. Word count: At least 750 words.

    An Occurrence at Owl Creek Bridge

    Young Goodman Brown

    Big Two-Hearted River

    Sonny’s Blues

    A Good Man is Hard to Find

    The Metamorphosis

    List of possible/sample themes:

    The journey/The search/The quest (search for meaning, love, fulfillment, happiness, God/faith etc.)

    Religion/Religious hypocrisy

    Family/Relationships

    Innocence and Experience/Coming of Age

    Good and Evil

    Courage/Fear

    Overcoming odds

    Decisions/Choices

  • Frost’s Broken Roads analysis

    Discussion board for Comp 2 class. Below are questions for this week’s reading, Matthew Miller’s “Frost’s Broken Roads” (807-810). Choose one question and post an answer of at least 25 words no later than Wednesday, Feb 18. What is Miller’s Thesis regarding the Robert Frost poem? What Patterns or Themes does Miller identify in the poem? Per Miller’s argument, how do these Patterns/Themes contribute the meaning of the poem? One of the key features of analysis is Careful Attention to Language. Where does Miller incorporate this strategy in his analysis? How does it affect his reading of the poem?
  • Fiction Response

    Essay #1: Fiction Response In college, many students bring their books back to school on book buyback days, giving up and getting rid of books they deem expendable. Maybe they need the money; maybe they want to make sure someone after them has access to a more affordable used book. However, sometimes, we come across a readinga short short story, a short story, a novella, a novelwhich we wouldnt sell for any price. Those kinds of stories are the focus of this assignment. For this first assignment, this written work can be any sort of fiction, graphic novel/comic book series, or historical fiction, and can be from any genre. It may also be a personal narrative. Pick a work of prose fiction and describe to us why this book is so important you would never give it away or sell it (at least, not before you obtained another copy). That is, while you would definitely pass it on to a friend, you couldnt imagine simply tossing it into the trash or selling it for a few dollars. Your goal is to tell us why the book and its story (or stories) is valuable to youhow has it inspired you, moved you, chilled you, helped you see life in a different light, gotten you through a tough time, etc. This doesnt have to be just one book, but can be a series of books, Next, review page 19s Questions about the Elements of Fiction. Then, weave the the questions, which are marked in solid bullet points, using the hollow bullet points as guides for expansion and clarification of your answers, into your first essay (800+ words), describing to us why this story is such a keepsake, how it molded you, shaped you, changed you, or just plain made you laugh. You may also reference the Sample Writing: Reading Notes on page 39 and the Sample Writing: Response Paper on page 42. As you weave your answers into your essay, be sure to focus on letting us know why the story you chose is invaluable to you, bringing the answers back around to what makes the story such a keepsake. For example, you might say the protagonist gave you hope in dark times, telling us about obstacles they overcome that inspired you; you could tell us a theme of never giving up, or not judging others by preconceived notions inspired you to keep going in the face of serious opposition. Wrap up your paper with a conclusion that re-states how that written work is valuable to you, reminding us of the thesis and giving us a solid, satisfying final sentence. Lastly, be sure to include an MLA 8th Edition Works Cited page!